Course Information

Barbara MyerhoffJanet Hoskins shooting in IndonesiaMuseum interiorImage from "The Ax Fight"
Instructor: Dr. Jennifer Cool
Email: cool@usc.edu
Seminar Mondays 3:00-5:50pmp
Taper Hall of Humanities, THH B6 (in basement)
Lab Instructor: Gabriel Peters-Lazaro
Email: gabrielpeterslazaro@gmail.com)
Media Lab Fridays 9:00-11:50am
Institute for Multimedia Literacy (IML) Lab, 746 West Adams, Blvd.
Course Descripton   |   Course Policies   |   Course Grading
Course Description
This course is a hands-on lab-based survey of video and audio production techniques that presents an overall strategy for making anthropological media. Its purpose is to guide students in developing their own projects and to prepare them to undertake production. Though the emphasis is on small format digital video and ethnographic documentaries, concepts and techniques studied are applicable to other media and genres.

The course covers the fundamentals of field recording (camera, sound, lighting, logging), basic approaches to editing (logging/organizing footage, constructing a program, refining it), and conceptualization. Preparing synopses, treatments, scripts, shot lists/storyboards, production schedules and budgets are all addressed. By the end of the semester students are expected to complete a grant proposal for the production of a 20-to 30-minute ethnographic documentary that includes the documents typically required by granting agencies, such as the Independent Television Service, ITVS.

For students in the Masters in Visual Anthropology (MVA) program, this course is part of a two-semester sequence in ethnographic video production taught in collaboration with USC's Institute for Multimedia Literacy (IML). The first semester of the course is focused on the fundamentals of video production and their application to a broad conception of ethnographic and documentary approaches. Assignments raise representational, methodological, and ethical issues in approaching and working through an ethnographic and documentary project.

Students in the MVA program are expected to come into this class with fairly well developed ideas about their thesis projects. Ideally, you will use course assignments to begin field recording and research for your MA project. Those who won't have access to field sites during the fall semester are expected to find local subjects for the 576L projects. These may relate to your MA research, or may not. By the end of term all students are expected to present a final video project demonstrating competence in conceptualizing, shooting, and editing a short (5-to 10-minute) ethnographic documentary.

Course Policies
  • Attendance and participation in seminar, lab, and screening session; and in class and online critiques, discussions, and readings is required.
  • Students are expected to check their USC email accounts regularly and are responsible for keeping up with course announcements.
  • Coursework cannot be submitted late without a medical excuse
  • This course requires active participation. Collaborative engagement with the production process is fundamental to both individual performance and success of the class as a whole.
  • Students who have not completed the work assigned in 576L will not be allowed to register for 577L, the second half of the course sequence in which students develop and produce MA thesis projects.
Academic Integrity
USC seeks to maintain an optimal learning environment. General principles of academic honesty include the concept of respect for the intellectual property of others, the expectation that individual work will be submitted unless otherwise allowed by an instructor, and the obligations both to protect one's own academic work from misuse by others as well as to avoid using another's work as one's own. All students are expected to understand and abide by these principles. Scampus, the Student Guidebook, contains the Student Conduct Code and recommended sanctions. Students will be referred to the Office of Student Judicial Affairs and Community Standards for further review, should there be any suspicion of academic dishonesty. The Review process can be found at: http://www.usc.edu/student-affairs/SJACS/pages/students/review_process.html.

Students with Disabilities
Any student requesting academic accommodations based on a disability is required to register with Disability Services and Programs (DSP) each semester. A letter of verification for approved accommodations can be obtained from DSP. Please be sure the letter is delivered to your instructor (Jennifer Cool) as early in the semester as possible. DSP is located in STU 301 and is open 8:30 a.m. to 5:00 p.m., Monday through Friday. The DSP phone number for (213) 740-0776.

Course Grading
Sound Capture group exercise 2.5%
This American Life assignment 2.5%
Weekly wiki posts, including field assignments and state of MA project report 15%
Project 1: Documentary Video Essay in Stills, Sound, Text 10%
Project 2: Interview Assembly Edit 10%
Project 3: Process, Event, or Place Video 10%
Project 4: Final Project (5-10 minute ethnographic documentary) 15%
Field/Production Notebook 10%
MA Thesis Project Proposal 10%
Attendance, Participation, Collaboration In addition to devoting significant time outside class to reading, writing, and video production, this course requires active participation in seminar and lab exercises, discussions, group critiques, and Friday screenings. Collaborative engagement is fundamental to both individual performance and the success of the class as a whole. 15%